Did You Show Up For Your Job Today?

One of the best speakers I ever heard discuss creativity and writing was Elizabeth Gilbert, a writer  best known for her memoir Eat Pray Love. She also wrote, before that international bestseller, a National Book Award-winning biography of Eustace Conway called The Last American Man, a Pushcart Prize-winning volume of short stories called Pilgrims and a truly excellent New York Times Notable novel called Stern Men.

I mention these accomplishments because I’m betting most of you only know Gilbert from the sudden celebrity stardom brought on by her memoir. You may not have even picked up the book because it was sure to be one of those weird viral quirks that went big just because it was trendy, not because of the quality of the writing.

But Gilbert’s writing blows me away. This is a woman with some serious writing chops, people. And that’s why what she has to say about the creative process is so important.

Gilbert gave a twenty-minute talk on creativity at the TED conference in 2009. It’s an entertaining talk, and I highly recommend it to anyone who’s been feeling lousy about writer’s block or writer’s inadequacy or any of the other issues we writers struggle with now and then.

What I particularly want to draw your attention to, though, is a really important concept:

You are separate from your inspiration.inspiration

Gilbert calls it “your genius”. Her thoughts are that instead of striving to be such creative geniuses, we should be grateful that every now and then a little piece of genius drops out of nowhere and flies through us, giving us the ideas and inspirations for the stories we want to write.

This idea is awesome. It takes the pressure off us as writers and puts the focus on hope: We hope that today, a little piece of genius will find us.

Sounds pretty good. Now we just have to hope that genius finds us and we don’t really have to do any work until then, right?

Afraid not.

One day, Gilbert was writing and writing and getting nowhere, having one of those terrible days where nothing comes out right. She sat down her creative entity and gave it a talking-to:

“Listen, you, thing, you and I both know that if this book isn’t brilliant that is not entirely my fault, right? Because you can see that I am putting everything I have into this, I don’t have any more than this. So if you want it to be better, then you’ve got to show up and do your part of the deal, okay? But if you don’t do that, you know what, the hell with it, I’m going to keep writing anyway because that’s my job. And I would please like the record to reflect today that I showed up for my part of the job.”

I think this is brilliant. We’re used to not thinking of our creative endeavors as a job. A job is what makes you money, and then you write because you have to or because you want to or because you need an outlet for your creativity.

We don’t think of writing as something we should do unless the genius has already shown up that day.

Think of it this way: Let’s say you have a job building a house. If you show up every single day to work, but the person who hired you hasn’t delivered the materials to build the house, then the house won’t be built. If, on the other hand, the materials are delivered but you’re not there to receive them, the guy who delivered the materials might just decide that you don’t need them, and he’ll take them away again.

And the house still won’t be built.

It’s your creative entity’s job to deliver the materials. It’s your job to be there when they arrive, so you can take those materials and build something wonderful with them.

That’s why it’s so essential to sit down and write every day, preferably at the same time. Your genius knows exactly where to find you so he can deliver the goods. And if he doesn’t show up with the delivery? Hey. At least you were there.

So the next time you’re stuck, ask yourself this question: did you show up to work today?

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James Chartrand is the pro in the know on how to write stories that grab people by the heart and keep them reading. Visit James’ blog at Men with Pens, where he and Taylor will keep you hooked – and get your readers hooked on reading your words.

 

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