Having Guts – How to Physically Affect your Readers
Inhale. Take in as much air as you can.
The goal of most of us, as writers, is to cause some sort of an emotional response in our readers. Whether we make them think, or make them angry or sad or excited, it is a sure sign that our writing has heart and substance and has linked the mind of the writer to the mind of the reader and touched them in some way. When this happens, we can be pleased with ourselves.
But, why just aim for an emotional reaction?
The short story, Guts, by Chuck Palahniuk, has gained almost mythical status for its ability to cause an extreme physical reaction in its readers. During the book tours in 2003 and 2004 to promote his new novel Haunted, Chuck read Guts for his audiences. At these readings around sixty people are said to have completely fainted.
How can just words make this happen? Sure, the story is graphic and deals with a dark, shocking subject. But this physical reaction that Chuck was able to achieve from his audience shows that his writing is bold, brave and powerful.
Like him or not, Palahniuk can teach us something here with Guts. His writing, particularly in this story, is extreme, and for better or worse it grabs readers by the throat and shakes. I’m not saying that we should completely change our writing styles in order to be outrageous. But we can all push the boundaries of our writing in little ways, and push our readers for the physical reaction. Even if you don’t get an actual physical reaction (and, let’s face it, you’re probably not going to make people throw up) you will certainly go a long way toward affecting them at a deeper emotional level.
Here are some ways that you can aim for that physical reaction.
Give your WORDS guts.
Sometimes, the right word for what we want to say is obvious, but we writers, for whatever reason, try and think of a different one. Sometimes we are trying to be clever and use an interesting or little-used word. Perhaps we are showing off. Sometimes we do not have enough faith in the words and try and think of a different way of saying it. Other times we try and explain too much with our words.
Have faith and let the words speak for themselves. Do away with those pesky adverbs, and write boldly and clearly. Your words will have guts and your meaning will be unmistakeable — and your story far more readable, enjoyable and, most importantly, much more emotive. The words will make your reader feel their power, not just try and persuade them to feel a certain way.
Give your CHARACTERS guts.
Characters should be real. They should live and breathe, both on the page and in the minds of the reader. They won’t do this unless you flesh them out, give them guts – a background (even if you don’t write about it), emotions, feelings. Make them hate something, make them love something and, most importantly, make them want something.
Also, when writing dialogue for your characters, have them talk as though they would in real life. If your character would swear, have them swear. And I don’t mean, “Aw shucks.” A man who has just lost his wife, or a mob boss who has just been shot, is going to swear. A lot.
Give your STORY guts.
Be bold and brave. When writing a story, even a simple one, you must not be frightened to write exactly what happens, even if that is ugly, depressing, shocking, brutal or disgusting. To the question, “What should I write about?” Stephen King tells us…
Anything you damn well want. Anything at all… as long as you tell the truth
Whatever it is that you write, be truthful and honest with your readers. If that means pushing the boundaries or being shocking, so be it. This is perhaps the best way to achieve the deepest, most powerful reaction in your readers. Be real, and write about the truth. Don’t pull your punches.
So next time you write, give your story some guts. Try your damnedest to make the reader feel it, whatever that is. Make their blood boil. Make them feel sick. Make their skin crawl.
And make them turn the page and read on.
Any more ideas on how to give your story guts? Please share them in the comments below!
Christopher Jackson is an editor for Fuel Your Writing and copywriter for the FUEL Brand Network. He has been writing short stories since getting his Master’s Degree in Creative Writing, and began editing when his sister needed her essay checking for her degree! He can be found on Twitter, and his blog.


Great Post! Chuck Palahniuk has been one of my favorite authors for the last few years now, and his writing style definitely has a unique feel. It took me a little bit to get used to his form, but once there, like Dr. Seuss, it gets stuck in your head.
I haven’t done much writing lately, but it is something I have wanted to take back up. Between Stephen King’s “On Writing,” I believe from which your quote was taken, Robert McKee’s “Story,” and this inspiration I am now feeling, perhaps I may dust off some old ideas this evening. Thanks for the inspiration!
So pleased to hear that I have inspired you, Eric!
You’re right, the Stephen King quote is from ‘On Writing’, which is a truly awesome book and I would recommend it to anyone wanting to write, or improve their writing. I have read it so many times now, it continually inspires me.
Thanks for commenting, and good luck with getting back into your writing!
I completely agree with this, and sometimes it’s easy to get distracted from being honest with yourself and your readers when it comes to word choice, worrying about offending someone, et cetera. This was a good reminder. :)
We all need reminding sometimes to not always take the easy route. We should push ourselves, and our writing, out of the comfort zone.
Glad you enjoyed the article Jamie, thanks for commenting!
Excellent Point! It’s difficult to be honest with yourself, not just in writing, but also in life. It is a skill, and this was good advice, for both.
This is an awesome post, Christopher!
I think one place a lot of writers, including myself, can improve the overall story is to give their CONFLICT guts.
Shying away from trouble in life might be okay, but when it comes to writing, trouble should be front and center. Write your character into places you feel they won’t be able to escape — only then will your creativity and character be tested. The old saying goes: chase your character up a tree … then throw rocks at them.
Try to kill your character! More often than not, short story writers, novelists, and screenwriters create an antagonistic force to pose threat against the protag, but then forget to create threat through that character.
This might fall into giving your STORY guts — remember to amp up the originality. It’s too easy for a writer (especially one struggling to write regularly) to default to the first idea that comes to mind when writing a chapter; that’s because when you’re desperate to write (whether to overcome writers block, meet your 1,000 word quota for the day, etc.), you’ll let yourself write mediocre material … that is, chances are you’re going to recreate something readers have experienced already. Strive to create something truly original. Go for that whoa factor.
Has anyone caught themselves writing out a pretty predictable chapter or sequence? Did you keep writing? Did you make a change?
Thanks for your kind words, great to hear you enjoyed the post!
I love that saying! I’ve never heard it before, but it is so true. In the novel I am writing at the moment, my most fully-realised character so far is my antagonist, but I have yet to really have him create threat and conflict with the protagonist; his brother. Hopefully I can follow my own advice and really write some honest and true conflict.
Thank you very much for commenting!
Totally agree. I often find myself writing into predictability, perhaps that is why I am not published… in addition to the fear of rejection, constantly wanting to rework things, having trouble letting go, etc. :-)
Bravery, one thing I think this post focuses on, is difficult not just in writing but in life. It is much easier to take risks and get into conflict and “trouble” on the page, but aren’t those the elements that make life exciting as well? Isn’t conflict, not necessarily negative or physical mind you, what makes life interesting and gives us stories to tell in the first place?
Now, I am the last one to be giving that as advice. Consider it more of an observation. I, for one, am a home-body and have tended to shy away from life experiences. This has led to a less-than-interesting life with few stories to tell and much envy for others. (Correcting that is my resolution for 2010, by the way.)
You’re right, Christopher (both of you), bravery is a necessary element to writing. We (collectively and myself especially) need to be brave and not be afraid to endanger our characters. We need to be brave and be honest with ourselves. We need to be brave and face conflict in our lives (in a healthy way). This is what will fuel our writing.
Excellent, Christopher. Really thought provoking. I’ve actually never heard of the story “Guts.” I’ll have to look it up (but not read it, because I have a very weak stomach!).
I like what you say about writing anything as long as it’s ‘real.’ Readers will know right away if something doesn’t ring true. Often, in my story planning, I’ll think of things that might happen to my characters, or solutions to situations they might find themselves in. But it, after a bit of thought, I think it’s not the BEST possible solution, I scrap it. My readers won’t buy it if it’s not totally plausible.
Thanks!
Thanks a lot for commenting Suzannah, I’m glad you liked the article and really glad it got you thinking!
Let me know if you summon up the courage to read ‘Guts’. Although if you have a weak stomach… maybe best you don’t! It’s a fantastic piece of writing, but certainly not for everyone :)
Thanks again!
Just looked it up on the web and stopped reading after the first couple of paragraphs. You’re right, “Guts” should cause readers to feel physical effects. Totally disgusting (and not in a good way)!
I love the essence of your article, and I’m glad you emphasize that we can affect our readers in subtle ways. It seems to me (in the limited amount I read) that the author was looking to shock simply for the sake of it. If shock value is the sole purpose of a piece of writing, it would be useless to most readers.
Of course, I didn’t get far enough to find out if there was a purpose!
I say give your story guts by making your readers feel something that really hits home. Of course, that’s just this girl’s opinion :)
I’ve always been a huge fan of Palahniuk’s work, and it makes me smile to see him mentioned here. It’s true, that short story – and all the other stories in that specific book, Haunted – bring a sick feeling to your gut or mind. I’ve been slowly devouring his books, and I must say, he’s certainly inspired me as a writer. He breaks the boundaries of what or what not to write about. Now it’s easier not to hesitate when putting a controversial character or theme in my writing. Read his books – at least, as long as you’re not squeamish or close-minded.
Hope you enjoyed the article Shawn! Chuck has inspired me as a writer too, not only with showing that you can push and break boundaries, but with his writing style as well.
Thanks for commenting!
Haunted was the second book of Chuck’s I read (the first being Fight Club of course). As gruesome and vomit-inducing as it continued to be, I couldn’t stop reading it! He is one of my inspirational figures when writing as well. I think that shock factor is something novels need these days in order to keep readers. Maybe not as shocking as Chuck (I still can’t go in the pool the same), but something similar. Thanks for this post!
Thanks for commenting Jen, glad you enjoyed the article!
Hey Chris! I love your post. I will have to read Guts. A story that has the ability to make people faint…well..I’m game! You are totally on the mark. The ability to create characters that are so real that they leap off the page is the testament of a great writer.
Really glad you enjoyed my article Giselle! You will have to let us know what you think when you’ve read ‘Guts’… :D
Thanks for commenting!
Excellent thoughts and advice!
Lamentably, I have changed dialogue in my stories so I don’t offend certain readers. For example: cursing. So no guts there. No glory either, eh.
Though, the one time I broke one rule–writing character’s dialogue in dialect–I felt story worked very well; he was real and exciting, and readers in my writing group loved him.
Guts. Gotta have them as I write the words AND should be evident in the story.
Thank you.
Thank you for reading and commenting on my article Marisa, really glad you enjoyed it!
It’s hard not to think about how our audiences will react to our stories, and to somewhat tailor our writing to fit and to not offend. But we should not be afraid to break the rules or to write bravely, honestly and boldly.
This is an awesome article. Very bold and inspiring.
Thank you Rebecca!
Really glad you enjoyed the article, and that you found it inspiring! Thanks for commenting too :)
I have been a fan of Chuck’s also. Although I didn’t like Haunted (I thought he was going to be really clever with it, and give each story a separate author voice, but it turned out only to be a collection of short stories), Guts really did affect me! I was reading it on the train, and I had to stop for fear of being sick! Only story to have ever done that to me.
I completely agree that you should write the story YOU want, the way YOU want to. Don’t apologise, and don’t self-censor (unless it improves the story in a way that you would approve of if you were reading it, that is).
Thanks for reading and commenting Matt! You’re right, Haunted as a whole is probably one of my least favourite Chuck books, but some of the stories (especially Guts) are just brilliant.
Christopher:
Great post. Thanks for sharing your ideas. Yes, some writers have the power to physically affect you. As a reader, writer can move you to tears, make you angry, arouse emotions.
I remember reading Agatha Christie’s “Curtain” as a little kid. My pet detective, Hercule Poirot’s last case (if memory serves), dies in the last chapter. Since Poirot was my hero, that book drove me to tears. I found myself sobbing and I had to leave the library to calm down. Writers can get you to identify and relate to their cast of characters in such a way that the characters almost become members of your family or at least your friends.
I was finally able to re-enter the library only after an hour or two. Such is the power of some writers who are able to cast a spell over you. Creativity can have such a hypnotic effect.
Your statement that, “Creativity can have such a hypnotic effect,” jumped out at me and struck me pretty hard this morning.
What a great thought: creativity as hypnosis, creativity as meditation.
Perhaps that is why we can be so physically effected by writing. When we are lulled into a trance, like with good music, and then all of a sudden there is a loud cymbal crash, or plot twist, we are thrown out of our comfort zone and shocked into a new plane of thought or emotion.
Thanks for the wonderful, inspiring, thought!
I had created the similar subject last year. In doing my occurrence, the very best solutions are patient and confident. Face the facts bravely, and that you will be alright finally.