Hotel by the Railroad
I occasionally like to reference paintings and other pieces of artwork in my writing. I like the idea of the reader going away from the novel (temporarily, I hope), finding a copy of the picture online or in a book and studying it, nodding as they think of the scene within the book, hopefully picking up on the emotions I feel it evokes.
Quite often I will describe the painting in detail, from the way the light falls to the thickness of oil on canvas. But sometimes it’s nice just to keep it vague — to entice the reader into taking that extra step and, if they aren’t already familiar with the work, Googling it or picking up a book from the library. I’m not sure how successfully I do this, but it’s nice to imagine that the reader is so involved that he/she feels the need to find and study the piece in question.
Whilst outlining the novel I’m currently writing, I found I needed a way to express a husband’s longing and his distance from his wife. Naturally, I have the usual tools in my toolbox. Words. Human behavior. The simple mannerism that says so much. On top of all this, though, I wanted something more — something that would frame it in a way that another character within the novel, a child, could more easily grasp, on an emotional if not intellectual level.
My first port of call — and, in fact, my only port of call — was my favorite artist, Edward Hopper.
I’ve never exactly been what you might call an art aficionado. I’m by no means an expert. Yes, I can tell a da Vinci from a Dali, and I like to think I can appreciate and understand each equally. But, as the old cliché goes, I do know what I like.
And I like Hopper. I like his use of light. I like the simplicity of his compositions. I like the cinematic quality. But, more than anything, I like the emotions that he manages to evoke — the sense of longing and isolation, boredom, regret, alienation… it’s all there in such dependably understated treatments.
So which painting have I chosen to add a little thematic texture to the novel? Well, there were a number that touched upon the emotions I wanted to communicate, but none quite so successfully as Hotel by a Railroad.
Gary William Murning is a novelist living in northeast England. His work focuses on themes like love, death, loss and aspiration. Quirky and highly readable, his literary fiction aims to entertain above all. His first novel, If I Never, will be published 29th August 2009 by Legend Press.


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