Read Your Writing Aloud: Lessons from Lovecraft
Lately I have been reading quite a lot of H.P. Lovecraft. One thing that I love so much about his work, alongside his boundless imagination and knack for creating truly horrifying tales, is that his writing is incredible. Even though it seems to fly in the face of most of the ‘rules’ we are now taught, such as using short sentences and simple words, his writing is unique and perfectly conveys the feelings he wished to produce in his readers through his stories.
And, as I have realised, his writing just cries out to be read aloud.
The odour arising from the newly opened depths was intolerable, and at length the quick-eared Hawkins thought he heard a nasty, slopping sound down there. Everyone listened, and everyone was listening still when It lumbered slobberingly into sight and gropingly squeezed Its gelatinous green immensity through the black doorway into the tainted outside air of that poison city of madness.
- The Call of Cthulhu

Isn’t that just wonderful? The rhythm and pace of the sentences work perfectly and just ache to be read aloud in a deep, dramatic voice, slowing and stressing the fantastic-sounding words like ’slobberingly’, ‘gelatinous’, ‘lumbered’ and ‘immensity’. As I read this passage out loud to myself last night, I realised that reading your own writing aloud could have several benefits. You may want to wait until you are alone to do this, or perhaps read to the dog. He’s not going to judge your poor grammar. Perhaps reading aloud will help you in one of the following ways:
Improve Your Edit
Your general edit, when you work your way back through your First Draft, can be greatly improved by reading your work aloud. Don’t just sit there and stare at your words, allowing them to whizz silently through your head. Read them aloud, loud(!), so that you can hear what your writing sounds like. You will get a much better feel for how your writing comes across to a reader. Clunky sentences and passages will clash against your ear, sticking out like sore thumbs. Badly chosen words, similarly, will stand out. Also, how your writing flows will become much more apparent. Do you find yourself pausing for breath in all the wrong places? If so, check your grammar and sentence structure. Do you find yourself tripping over the words? Then perhaps find better words to use instead. All of these edits you most likely do already, but reading aloud will help you to spot where your writing needs work, and what works needs doing.
Write Like You Talk
One piece of writing advice that I often hear, and generally agree with, is that you should write like you talk. Of course, if you are writing a very stylised piece, then this won’t be possible, but as a general rule – writing like you talk is a very good one. It will make your writing natural and readable, and will help to convey whatever it is you are trying to get across to your reader – which of course is the goal of any writing and the mark of the best prose. By reading your work aloud, just like when looking for specific edits, you be able to better understand your own writing, and whether it sounds like you talk. Do you feel comfortable reading it aloud? Does it sound like you? If so; good!
Develop Your Style
Some of the best writing, such as Lovecraft’s, has a distintive style that you can define. But when working to discover and develop a specific style, it can be hard to remain consistent and so you may be left with writing that can sound unnatural. Worst of all, you could come across as a writer trying far too hard. However, by reading aloud, you will be able to hear how your style is developing, and where it needs tightening. Also, perhaps you can take this technique further and aim for an over-the-top style that wants to be read aloud. Your readers may not actually read your writing aloud, but if it makes them want to do so then you can be sure that your writing has moved them and you have grabbed their attention with your words.
Have Fun With Adverbs(!)
Now… I know the passage above from The Call of Cthulhu (and all of Lovecraft’s writing in fact) is full of the most ridiculous adverbs. And we all know to avoid them like the plague, right? But here they work, partly because these exact words are carefully chosen for the wonderful way that they sound, and that they are a major part of Lovecraft’s particular style. That doesn’t mean you should go and fill your writing with adverbs, and I would still urge caution on their use (as they can often be a mark of lazy and sloppy writing), but they can indeed work well if used properly. If they are part of your style, or of the style of the piece, by all means use them. Then read your work out aloud. When you do that you will know instantly whether your adverbs sound stupid or whether they are worthy of Lovecraft himself.

Reading aloud, for all these reasons above, can really help your writing to develop. And perhaps by writing with the thought in mind that someone may someday be reading your words aloud, it can help to develop your style into one exciting and powerful, full of words that sound as wonderful to the ear as they do the mind.
Finally, everyone read aloud with me: “Ph’nglui mglw’nafh Cthulhu R’yleh wgah’nagl fhtagn!”
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Do you ever read your own work aloud? Whose writing do you think worthy of opening your mouth and speaking forth? Please share your thoughts and feedback in the comments below!
Images courtesy of CaptainSpunky and Kate Andrews.
Christopher Jackson is the Editor for Fuel Your Writing and a creative copywriter. He is currently working on Project: Snotbook, an interactive children’s storybook for iPad.


Chris,
Excellent post and great tips. I do try to read the odd sentence out loud, to make sure it sounds right. But in terms of adverbs? I don’t ban them from my writing but I do like to use them in moderation. When they are necessary and help create a stronger picture. Even then, the vast majority of them get axed during editing but one or two do survive!
Thanks
Elpi
Thanks Elpi, glad you liked the article and thanks for the retweet too!
My own writing style tends to be rather sparse, so I stay well clear of adverbs in my own work. They are a funny thing: in the right hands they can be wonderful, but in the wrong hands (Stephanie Meyer’s…) they can be as hideous as anything Lovecraft ever dreamt of!
I read my work aloud and it’s especially good for highlighting words that you keep repeating – your eye skims them but if you find yourself stumbling when you use the same word in quick succession, then you know you have to start changing things. It also helps get a more natural rhythm into dialogue.
Repeated words is definitely something to look out for, and you’re right – it’s very easy to miss them when you skim over your drafts.
Great comment about writing dialogue too, I hadn’t thought about that. Reading aloud will really help with that! Especially if you do the voices too… ;)
Thanks for commenting Icy!
I read nearly everything aloud. It is a fantastic test of your tip ‘read like you talk’. I am also a copywriter by day and it is a good way to avoid embarrassing grammar errors etc. with a client!
You’re right, reading aloud is a seriously valuable tool for copywriters. Good point, thanks for commenting Sharon!
Writing aloud absolutely works. Not only do you find tones but also awkward phrasings. Also, it it’s not flowing, it’s easier to tell when orated.
Very true Jarvis, thanks for commenting! :)
Great post, Chris! And excellent choice with the Lovecraft example!
Reading aloud is definitely important, especially when you are writing for things to be spoken rather than read – I tend to write a lot of scripts and voice-over for video production. It certainly helps find a more natural tone, pare down the edit, and keep a flow going.
As far as the adverb debate: what’s wrong with a few adverbs? Are you saying I’m sloppy? lol I totally agree that too many adverbs, especially repetitious ones, looks and sounds like a first-year high school paper.
Thanks for your comments Eric, glad you dug the Lovecraft example! There were so many that I could pick but I thought that was a wonderful example of his brilliant use of words.
And I’d never accuse you of being sloppy, don’t worry :D
Fantastic post Chris! I read my work aloud and am amazed at how many times I use the word “then”, as in “Then she flew across the room”, “Then she fell down”…ugh! You’d think after so many times I’d learn to chuck that word in first drafts but alas it apparently comes natural.
You’re right, reading aloud also helps us to feel whether or not our true voice is coming through. Although I’ve been told I have a distinctive voice in my work, I believe there’s a distinctly different voice in my nonfiction as compared to my fiction. I try to write all nonfiction like I talk but when it comes to fiction of course we need to alter that in order for the character’s voice to come through clearly. I hope that makes sense…
One of the best writers to read aloud, (or in general for that matter), is Joyce Carol Oates. She’s at the top of my list of favorites – I love her characters! She writes in many genres and I enjoy them all but I believe the best of them is her horror, and from what I understand Lovecraft is a favorite of hers. I recommend her anthology The Female of the Species: Tales of Mystery and Suspense for a thrilling horror ride. One of the things I like most about her work is the way she uses adverbs and adjectives – she doesn’t chuck them but she doesn’t overdo it either. It took me quite some time to realize that it’s Okay to use adverbs and adjectivs, and JCO was a big help in getting me to that point.
Gosh! I didn’t mean to write a comment longer than your post! :) I suppose this just happens to be one of my favorite writing subjects. Thanks Chris!
We don’t mind long comments here at Fuel Your Writing – we love them! Thank you for taking the time to write all that you did Deanna.
I’m unfamiliar with Joyce Carol Oates but I will definitely check out her work – I love me some horror! Thanks for the recommendation :)
You will love JCO Chris! When you finish the anthology, start novel reading with Them and We Were The Mulvaneys, both superb modern classics. I could go on and on about her. There are a few short reviews on my bookshelf if you’re interested: http://writingwonder.wordpress.com/deannas-bookshelf-2011/. I rate every book I read 1 – 5…I swear I’m not OC! :) Enjoy!
So true — I’m reading Stephen Fry’s autobiography right now, and the way he writes sounds like the way he talks. I’m actually reading it with his accent in my head — so British!
^_^ I love when I come across an article that’s so well written – and just encourages me to keep doing what I’m doing. Because most of what I’m doing so often feels like an accident. LOL Like my humor.
Thank you for an excellent article!!!