So You Want to Write? Read.
Whether you’re a budding novelist looking to reach full bloom or a creative copywriter waiting to hit the big time with juicy accounts, the chances are
you’re always searching for new ways to improve your writing. And, if you’re like most writers, you’ll be convinced that the best way to write is to, er, write. Right?
No, actually. Of course, the ability to write is kind of crucial to your endeavor. But consider this; you didn’t learn to talk by speaking alone into a mirror. And so, you won’t learn to write by tapping the keys of your trusty laptop until your fingers bleed. Practice does indeed make perfect, but it also requires a little help from inspiration and example.
Spell out your story in sparks
To quote someone who knew a thing or two about writing, “To learn to read is to light a fire; every syllable that is spelled out is a spark.” Victor Hugo knew that reading is an essential component of the writer’s creative process. Reading constantly will, without a doubt, help you hone your craft. This was brought home to me recently when reading Richard Yates’ Revolutionary Road – an extraordinarily well-drawn novel that could set any writer on the path to enlightenment.
Of course, there are no rules for what you should read. So read classics, read best-sellers, read great advertising copy. In short, read the good, the bad and the ugly. But whatever you do, understand that reading is about more than processing the words on a page; it’s about full comprehension of the writer’s intention.
Nourish yourself with material that will provide a foundation for your own stories or copy. Ask yourself questions about what you’re reading. For example: ‘Why am I blubbering like a baby when I know it’s not real?’, or ‘What is it about this writing that makes me bitterly regret wasting these precious hours of my life on it?’
If you want to take this applied reading a step further, stop and make notes of your observations and opinions as you read. Whether a sentence makes you smile or groan, re-write it for a different effect. Write alternative endings and notice the power of words you’ve never thought to use. This is all food for thought and ultimately, fuel for your writing.
Remember, all good art is derivative; it’s the nature of the beast. Shakespeare borrowed bare-bone scenarios from other works, but he fleshed them out to create some of the finest examples of writing we have today. Likewise, the music of today could not exist without the structures, compositions and performers of the past. Oasis without the Beatles? It just wouldn’t be quite the same kettle of fish.
Good writing is certainly not about copy and paste; it’s about absorb and create. There’s no keyboard shortcut for that. But inspiring reading could well be your fast track to inspired writing.
Amy Willmer is a no-nonsense copywriter who loves words. She’s in her element when they’re strung together expertly as part of a powerful sentence or two. You can see examples of her work at no-nonsense copywriting and listen to her blabbering on Twitter.


I’m always telling people to read, read, and read some more! It’s true that no matter what you read, the more you do, the more you’ll have a grasp on spelling, grammar, sentence structure, literary techniques, and so much more!
I’m not one for taking notes in books, but I often find that when I’m reading, I’ll relate some of the events in the book to events in my own life to understand them better. I think learning how to relate to novels is an important step in developing your own personal voice and style as well as understanding the author more.
This is excellent advice. I am much more used to visual arts where it is easy to highlight things that attract your attention or that turn you away.
Taking notes on portions of the text is an excellent way to learn!
Thanks for the reminder that reading is “nourishment” for writers.
Because I write commercial copy that relies heavily on marketing tactics and media-specific structure, I forget how truly nourishing it is too read wonderful literature.
Recently I’ve been reading The Sword and the Stone with my son. The author’s narrative digressions are a delight after a daily diet of bytes, bits and bullets.
My mother used to banish my father’s books to the loft when I was a child – she thought they were merely collectors of dust! As an introvert, I never felt I fitted in with my extrovert family, so the loft was a natural place to escape. My father had already instilled in me a love of reading – from The Selfish Giant to Enid Blyton. That passion for words never left me and, by the time I was 14, I had my first rejection slip for a piece of written work.
Since then, I’ve had a number of books published and numerous articles. I’m still reading and still writing. I can’t think of a better passion.
By reading this advice, it felt like a “bang” on my brain. Sometimes I wasn’t quite sensitive about the book I read, just only tried to process the words. I know that’s wrong.
I wrote for scenario and I haven’t decided yet about which type of writer I want to be. I also want to be a travel writer and a novelist. But I often lose my confidence on it and think ‘can I do this?”, “Is writing my dream?” Is that a normal situation for ‘not-a-girl-but-not-yet-a-woman like me, who is still creating the track? Anyway, I’m 22 years old.
Huff, do you have any idea to get rid of that bad thoughts? Sometimes, when I didn’t make a good writing, I felt I was the worst. One thing I’m sure, I love writing. :)
http://www.fayeyolody.blogspot.com
Hi Faye, I think everybody gets that nagging voice of negativity sometimes – and often it’s this that makes us better writers. Obviously if self-doubt gets too overwhelming it can be inhibiting. But generally, a little keeps us striving to do better and can actually be quite healthy. Personally, I wouldn’t try to pigeon-hole yourself as a writer – just do what comes naturally and I’m sure everything else will follow. The main thing is you love it, so keep going and enjoy it!
I’ve always been a reader and I’ve always loved novels, but its only since I’ve been a writer that I’ve come to appreciate the mechanics behind the way a great book works. Being able to marvel at an especially deft plot twist enhances the enjoyment of the good ones. So does being able to spot the problem in a book that isn’t working, or isn’t working as well as it should.
This is so true. Such a basic that people often overlook. Great post, Amy! Nice perspective.