Writing Serial Fiction

dimenovelSerials have been part of fiction for decades. Newspapers and magazines regularly ran stories in instalments, keeping readers hanging until the next issue continued the plot and spun out the story. Few people realise the story of Sweeney Todd was one of these “penny dreadfuls”, loosely based on an urban legend of the time. Serials were also often written by more than one author, with different instalments penned by different writers.

Contemporary authors such as Stephen King have attempted to follow in the footsteps of Charles Dickens by writing serials, and it seems logical for the serial to gain a foothold in cyberspace. The blog format lends itself well to the serial, with each new post forming a new instalment in the story. I decided to write one way back in February and I will freely admit that when I decided to start writing one, I didn’t have a clue what I was doing. I’d written a flash which I posted on my blog, and people asked to know what happened next. So I did what any self-respecting ‘pantser’ would do, and I started to make it up as I went along.

Here are my pointers for getting the most out of the serial experience:

Know your End Game

Unless your serial is going to become a soap, you need to have an end game in mind. People want to read your story knowing there will be some sort of resolution. If someone asks me to read their serial and they’re on part 137, I’ll think twice. I might read the first couple of parts and if they’re good, I’ll work my way through until I get up to date, but if it doesn’t grab me straight away, then I won’t. It took me until part 15 of my serial to know how it was going to end, and I decided I wanted to keep it to 30 instalments. You might only need ten episodes, you might need fifty. Either way, make sure you have a beginning and an end. Knowing the length in advance also allows you to keep to a structure, avoiding those random plot diversions that might otherwise take your serial off the rails.

looseendsTie up Loose Ends

Unless you write a chunk in one go and then break it up into instalments, make sure you go back and re-read your last few instalments before writing the next one. If you don’t, you risk introducing elements that you never use again. Readers who follow your serial week by week might not notice, but if you don’t tie up your loose ends at the conclusion, anyone who reads it in one go when it’s finished will spot them and wonder why they never got resolved. Introducing red herrings is one thing; failing to keep track of your subplots, secondary characters or random plots is another thing entirely.

Content

Hitchcock said fiction was life with the dull parts taken out, and serials are no exception. Just because they aren’t novels or short stories doesn’t mean you can include lengthy scenes in which very little happens. Serials, like anything else, need to have things going on in them. When I came to a point where I felt stuck and wasn’t sure where to go, I did what Raymond Chandler suggested, and I brought in a loaded gun. I don’t want you to tell me that things get exciting in part 24, I want them to be exciting from part 1. Each instalment needs to be vital to the plot – if it’s not important, cut it.

Magical Mystery Tour is going onCliff-hangers

This might not be relevant in your serial, but if you’re going for action etc., you might want to consider the cliff-hanger. Why? Well you want to get your reader to come back to find out what happens, don’t you? New episodes can raise new questions, but it’s a good idea if they also answer questions raised in earlier episodes. This way the reader is rewarded with gratification for earlier mysteries, but is presented with new ones that keeps them wondering “What will happen now?”

Story arc

It’s a good idea to familiarise yourself with the way the serial works on TV. Almost all TV series will have individual episodes in which the plot is self-contained, while containing elements that belong to the overall ’story arc’. In ‘The X Files’, so-called ‘monster of the week’ episodes pitted Mulder and Scully against a monster or villain who needed to be vanquished within the 45 minutes of the show, while other episodes moved along the ‘alien conspiracy’ story arc. Casual readers are rewarded by the ‘monster of the week’ instalments, while regular readers get the gratification of following the story arc. Will your serial be a ’series’ and have self-contained episodes featuring the same cast having individual adventures every week, or will it be a true serial and tell an ongoing story?

Writing a serial allows you to stretch out the experience of writing a novel, and you have more time to get to know your characters than you do with a short story. Get to know them, toss them into some sticky situations, enjoy what you’re doing – and have fun!

Images courtesy of leiris202, quinn.anya and alpiniste.

Icy is a die-hard Northerner in old London town. She can still remember the days when she wrote her first stories in crayon. These days she favours a laptop, and cranks out weekly flash fictions, web-based serials and even the odd novel, usually about telepathic parrots, superheroes, Cavalier ghosts, and her own peculiar brand of steampunk.

 

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